The growing pervasiveness of the digital dimension, now evident at every level of society's actions, manifests itself in the culture of architectural design in increasingly relevant and diversified forms: as a place not only for formal experimentation, methodological reflection, and redefining the relationship between production and construction, but of the re-foundation of the very thought of a project in relation to society and nature. This opens a question and offers the opportunity for critical reflections that may benefit from a perspective view, as this issue of Metamorfosi intends to propose.